Douglas Glover & Catherine Bush
Live at Biblioasis
Monday September 16th
7:30 P.M.For more information, please visit our Facebook page, email tmurphy@biblioasis.com, or call us at 519-968-2206. And to get a taste for Douglas Glover, be sure to check out The National Post's Afterword Books Blog all this week: DG is their guest editor. Today's episode involves a how-to guide to the best of but-constructions.
"By the time I reached the penultimate chapter," he concludes, "I had decided that every literate person in the country should be reading Glover’s essays.”
 |
| This, believe it or not, is a construction butt CAKE. Photo courtesy of cakeswebake.com. |
Award-winning Canadian author Douglas Glover, on his latest book: a collection of essays on writing, Attack of the Copula Spiders, published by Biblioasis.Today's Write The Book Prompt is to write what Douglas Glover playfully calls "a but-construction." In his new book, ATTACK OF THE COPULA SPIDERS, he writes: "Imagine any simple declarative sentence, and add the word but to the end." The example Douglas offers is: "The barn was red, but..." Now keep writing. See what complexity you might be able to introduce to this sentence, or another of your own devising, simply by adding the word "but." As he explains in the book, "I wrote the word 'but' and then had to write something else; the blank space demands completeness. I had no idea what I might put in there before I wrote the words. The result is pure invention, discovery, and rather fun."
As I absorbed the book’s title piece, "Attack of the Copula Spiders," an eloquent little commentary on writing well in the age of Facebook, I felt a first pang of regret over my churlish resistance to a book that would ultimately reward me with its erudition and democratic spirit. Such was the pace of my conversion, that by the time I reached the penultimate chapter ... I had decided that every literate person in the country should be reading Glover’s essays and was fixing to present them to my eldest daughter.
2. “Neptune’s Necklace” is set by Aramoana Beach, Otago, where in 1990 thirteen people were shot dead by a lone gunman. The Aramoana massacre is now famous as New Zealand’s worst modern act of gun violence. Was the choice of this setting deliberate? What does it contribute to your story?
 |
| Aramoana Beach, Otago, NZ |
Yes, this was a deliberate choice. I was twenty when that tragedy occurred and it really shook us all up. Before that, Aramoana had been known for its triumphant rejection of plans to build a smelter down there on the salt flats at the entrance to the Otago harbour. It’s a small settlement, but a strong one. It’s a place that makes you think. You are beside the sea and it’s all brisk and fresh and there are plenty of shells to pick up, but there’s this sadness in the air. I did not want to write about the massacre itself, so I made a parallel narrative, as my own act of memorial."Neptune's Necklace" is a lovely story and well worth further attention. As Steven Beattie puts it:
It is coincidental that I read the interview with Petersen prior to reading her story. But how does a knowledge of Aramoana Beach’s history change the effect of the story, if at all? How would one react to the melancholy aspect of the tale if one thought it had no real world resonance? Does the knowledge of the 1990 massacre lend Hattie’s story additional gravitas? Does it tug at a reader differently? ... Petersen describes the setting of the massacre without ever mentioning the massacre. The story stands on its own. Armed with the background knowledge of what the story’s setting implies, how does that change a reader’s experience of it? Since it is impossible to erase the knowledge of what the setting implies, it is impossible for me to answer these questions. I would be interested to find out, however.So would I.
Last but not least we have the indefatigable Kerry Clare, who's given us a strong two cents on Alice at Pickle Me This. "The book is slim," she observes, "the stories are subtle and quiet, and their impact is not always immediate" - but "All the Voices Cry is a collection you might want to meditate on, its pages getting dog-earned and stained with coffee rings as the summer wears on."Petersen’s almost strange observations create a collection of realistic stories about loss, love, restlessness, and freedom— above all, it is a collection of decisions. Written in easily-managed chunks, All the Voices Cry could be read in spare moments, or, as the easy prose tempts you, all at once. The decision is up to you.
My ideal reader is sitting in the car waiting to pick up the kids. He has a small coffee at hand and ten minutes to spare and he’s already read his favourite page of the car manual. There’s nothing else in the glove compartment except All the Voices Cry and some gum. Or maybe she has ten minutes tucked up in bed before she knows she is going to zonk out, so she looks in my book to find a story that will take ten minutes to read. These are the folks who value the compact quality of the short story. Just ten minutes, time for one story, one brief excursion to somewhere else. One complete voyage.We hope you've enjoyed your trip.
Glover practises what he prays for in others. His own prose is clean and polished, thoughtful and intriguing, accessible yet serious .... erudite books such as Attack of the Copula Spiders are always useful as roadmaps for developing better readers and writers. Now if we could only get the world to read them carefully.
