Below in the first of a series of appreciations that have begun to come in from readers as part of Biblioasis's 10th anniversary highlighting the important writers and books from Biblioasis's past. More will follow, at 2-3 per week, over the next several months.
Biblioasis is a life boat, rescuing passengers from the sinking (always) ship of a culture steering headlong towards the tsunami of our murky future (the new). Some of the passengers rescued mean a lot to me as a writer, person and thinker. John Metcalf's hilarious early fiction, anything by the astonishing Leon Rooke, David Helwig (poetry, fiction, and that amazing Chekhov translation), Clark Blaise -- to tell the truth, not much of the new stands up to these giants. Of the newer variety, Caroline Adderson and Cynthia Flood will be read long after the deluge. I deeply admire the elegance and wit of Russell Smith and, of course, there is the often overlooked Mike Barnes, a Canadian original, a world original. And the holy poetry of Amanda Jernigan. These are my companions in the night. --Douglas Glover
Further appreciations can be sent to Dan Wells at dwells@biblioasis.com, and will be published on Thirsty and elsewhere in due course.
Showing posts with label David Helwig. Show all posts
Showing posts with label David Helwig. Show all posts
Thursday, September 18, 2014
Friday, February 14, 2014
V-Day? More like FREE Day.
| (For those of you looking closely, yes, that IS an excerpt from The Bell Jar. Someone on the interwebs was having a laugh.) |
(Though, um, I should say that if you really are looking for a happy day, you may want to hold off reading the Chekhov til tomorrow.)
Friday, October 19, 2012
New Manse News
"Fans of satirical fiction will love this book," the National Post said of C.P. Boyko's Psychology and Other Stories last weekend: "so will anyone who has reclined on a therapist’s couch, or taken a psychology course from a larger-than-life professor with obvious neuroses, or read a self-help book by an author whose biography reveals them to be a total mess."
We know something about total messes over here at the new Bibliomanse. Oh yes we do. That's why we've let a WHOLE WEEK go by without talking to you about the VERY EXCITING THINGS that are happening, will happen, HAVE happened, to our VERY EXCITING authors. We've had a spate of reviews and we have people at festivals and gosh darnit we've even had an award nod. And, of course (of course? really? is it real?), we've moved. Last Friday was the Great Migration. We've been phoneless and internetless to varying degrees over the past four days. Which is just my way of saying, er, if you've perhaps been trying to get in touch and found us slightly less responsive than usual, please do just give another poke and we'll get back to you as soon as we're able. It's been, er, zany. (Imagine steel desks with undersides like the death star and an old cash counter from the Bay [and then from the old shop on Ouellette, and most recently from the basement of Dan's house], an old cash counter made entirely of pressboard, glue and maybe some secretly of anvils—imagine all that good stuff being discombobulated and hauled around some staggering corners on steepish stairs, and then imagine something of the 10,000 books in said basement, and you've got an inkling of our week.)
In any event. I apologize for not giving each of these a proper write-up, but here are a few of the wonderful happenings that we've neglected in our boxish and internet-starved state. We'll have pictures of the new office-in-progress up soon. Till then!
Here's the little swooning-on-the-couch for Boyko that ran in the Post on Saturday (what a glower)!
Here's an interview that David Helwig did with Seth for CBC PEI last week.
Here are Mark Kingwell's "Seven Pathways to the Stars," which peeped out this Saturday in the Globe, and here is his upcoming IFOA interview with John Ralston Saul.
Here is Alice Petersen's All the Voices Cry reviewed in the Montreal Review of Books. And HERE—ding ding, exciting!—is the press release announcing that Alice Petersen has been shortlisted for the QWF's First Book Prize! Congratulations to Alice from all of us.
Here are Rebecca Rosenblum's first and second appearances at the Vancouver International Writers Festival, starting today (the Human Carnival with Anne Fleming, AL Kennedy, and Jessica Westhead, then an Afternoon Tea with Steven Heighton, Linda Svendsen, Bill Gaston, Lorna Crozier and J. Jill Robinson);
Tonight's an event night here at HQ, with Eugene McNamara reading from Dreaming of Lost America at 7 PM. RSVP on FaceBook today (now, always)—hope to see you soon!
| Dan Wells and Chris Andrechek wrestle the Counter of Death |
| The BiblioManse Office in its Final Hours |
| The New (Blue!) Office |
| First Books on the Shelves. Does anyone else smell poetry? |
In any event. I apologize for not giving each of these a proper write-up, but here are a few of the wonderful happenings that we've neglected in our boxish and internet-starved state. We'll have pictures of the new office-in-progress up soon. Till then!
Here's the little swooning-on-the-couch for Boyko that ran in the Post on Saturday (what a glower)!
Here's an interview that David Helwig did with Seth for CBC PEI last week.
Here are Mark Kingwell's "Seven Pathways to the Stars," which peeped out this Saturday in the Globe, and here is his upcoming IFOA interview with John Ralston Saul.
Here is Alice Petersen's All the Voices Cry reviewed in the Montreal Review of Books. And HERE—ding ding, exciting!—is the press release announcing that Alice Petersen has been shortlisted for the QWF's First Book Prize! Congratulations to Alice from all of us.
Here are Rebecca Rosenblum's first and second appearances at the Vancouver International Writers Festival, starting today (the Human Carnival with Anne Fleming, AL Kennedy, and Jessica Westhead, then an Afternoon Tea with Steven Heighton, Linda Svendsen, Bill Gaston, Lorna Crozier and J. Jill Robinson);
Here is Anakana Schofield's appearance tonight at said VIWF, in the always-spectacular Literary Caberet (brought to you by Joe Biden—wait, what?—and for which she did an interview on CiTR);
and here are her appearances at IFOA!
Tonight's an event night here at HQ, with Eugene McNamara reading from Dreaming of Lost America at 7 PM. RSVP on FaceBook today (now, always)—hope to see you soon!
Tuesday, September 25, 2012
About About Love
Those of you in the Toronto-area have probably heard that today's BiblioBash features a special guest appearance from David Helwig: novelist, translator, and former Poet Laureate of PEI. It's true. He'll be reading from and signing copies of one of the handsomest books the BiblioManse has issued. About Love, designed and illustrated by the inimitable Seth, is 114 pages of hunky hardback in 5.5x7.25 format with two-colour printing. BEAUTIFUL. Here's a little preview:
See? Innit pretty? Innit??
David Helwig will be reading alongside the full BiblioBash cohort: Alice Petersen, Nadine McInnis, C.P. Boyko, and Norm Sibum. Should be a great night. Come on out! RSVP on Facebook today.About About Love
Written in France toward the end of his career, these stories are Chekhov’s only attempt at the linked collection. The first is a grotesque Gogolian comedy; the second a narrator's impassioned response; and the third a poignant story of failed love. Altogether the stories of About Love comprise three virtually unknown works by one of the greatest short story writers in world literature. "While there are many translators whose Russian is better than mine," writes Helwig of his translation, "there are not so many who have had a long experience of writing narrative prose. These narratives are my personal versions of Chekhov’s stories; they are also as close as I can make them to the precision and suggestiveness of the originals."
Critics agree. Francine Prose calls his earlier translations “absolutely wonderful,” and Publishers Weekly has remarked that Helwig is “a pleasure to spend time with.” The book is furthermore designed and illustrated by Seth, author of Palookaville and designer for The Complete Peanuts, who has produced covers for The New Yorker and was the recipient of the 2011 Harbourfront Prize.
About Love is a beautiful contribution to the works of Chekhov in English, and a must-have for all Seth enthusiasts.
Labels:
about love,
alice petersen,
C.P. Boyko,
David Helwig,
Nadine McInnis,
Norm Sibum,
Seth
Monday, March 26, 2012
See what happens? A little fanfare and we all pass out.

G'morning, folks, from the Bibliomanse, where it's a nippy 10 degrees and there's malarky in the air. Okay, fine: Malarky in the air, and maybe (sigh) a touch of influenza. There're just 6 measly days till AK's launch at the People's Co-op in Vancouver! It's Sunday afternoon between 3 and 6. That's April 1st, for those of you too congested to count, and it's after noon, which means all Fool's Day hijinks will be over and done with. Ain't nobody putting saran wrap on the toilets of the People's Co-op while AK's in the house. No sir. Really. No pranks. We promise.
Ahem.
April 1st also means we'll be (oh bliss!) kicking off National Poetry Month. I thought I'd set the stage with a little vignette that ran Saturday in the Kingston Whig Standard, and which features our own David Helwig in its listing of local literati. Be warned: it's not an anecdote for the faint-of-heart. Or the pregnant. Or anyone who dislikes loud noises. Helwig, the article notes, was hired at Queen's by George Whalley, who was (apart from a poet) a secret intelligence agent; prior to Whalley Kingston's poetic eccentric-par-excellence was Wallace Havelock Robb. And Robb? Well ...
Robb dressed in robes and struck a ceremonial bell on his property on Abbey Dawn Road when a poet or a pregnant woman came to visit. A visiting Montreal poet died within minutes of striking the bell.
Al Purdy also stopped by but (it seems) was not so easily felled.
A lesson for the ages, folks. Be careful when the trumpets sound. And keep an eye out for David Helwig's translations of Chekhov, which (appropriately enough for spring) are called About Love, and on whose illustrations Seth is now hard at work. It'll be a beaut!
Wednesday, February 29, 2012
Road Stories....
It's 6:30 in the morning, and we're all packed for AWP, ready to make the always anxious border crossing and five hour trek to Chicago, so it seems only fitting to leave you with a road story, provided courtesy of David Helwig (Whose Chekhov translation we will be doing (illustrated by Seth) this Spring), courtesy of Douglas Glover's online mag Numero Cinq (we'll be launching Doug's Attack of the Copula Spiders in Chicago).
You can read The Road here.
Wednesday, April 11, 2007
Books in Canada

A very positive review of David's Saltsea in Books in Canada. I can't quote it all for you here (later, later), but reviewer Michael Greenstein writes " ... At the beginning, the reader has to adjust to the shifts in perspective, but once the reader becomes more familiar with the characters, the novel succeeds beautifully, thanks to Helwig's poetic, dramatic and cinematic talents. Multiple streams of consciousness make it seem as if the spirit of Henry James or Virginia Woolf were hovering over Helwig's Island. ..."
It is an excellent review, much better (though equally full of praise) than the Globe review of a few weeks past. Greenstein delves more deeply into the book here, into its structure, motifs, music. The review is only marred by one line, the last in the review, though this has nothing to do with David or his novel, but with us:
"Only some faulty typesetting diminishes Helwig's fine figures."
An odd statement, offered with no explanantion, and one I cannot understand, as I think Saltsea -- with one small exception, a bleed issue on the title page which did not get caught (& remains easy to miss) -- an elegantly typeset book. The only thing I can think of is the reviewer may not be a fan of the unjustified margin. In any case, I have sent a query to ask him. I would never bother a reviewer about their perception of a book, but design is another thing. Perhaps he can point out where we erred here, and I may learn something.
Labels:
David Helwig,
reviews,
Saltsea
Monday, April 09, 2007
Relit Awards
Two Biblioasis titles have made the Relit Longlist: Leon Rooke's Hitting the Charts: Selected Stories, in the story category, and David Helwig's Saltsea in the Novel. Disappointed not to see Patricia Young, Mike Barnes, and David Hickey there, as there's no doubt that each is better than many that have made the cut, but t' is the way of these things.
Speaking of those three, we'll be doing a new book by all of them in the next year or so: Patricia Youngs' first poetry collection in nearly a decade, a brilliant and very moving memoir on art, memory and madness called The Lily Pond by Mike Barnes, and David Hickey's wonderful first children's book.
Last year, both of our titles by Goran Simic made the Relit longlist, and his From Sarajevo, With Sorrow made the shortlist for poetry (losing out to Leon Rooke's first poetry collection, Hot Poppies.) For those of you who have not read From Sarajevo, With Sorrow, you should order yourself a copy. It's powerful stuff.
And while I'm speaking of '08 (& beyond), we have another Simic collection in the works, a selection of his best pre-war poems, which will be made available (with a few exceptions) for the first time in english. In Canada (& elsewhere in the english speaking world), Goran is known solely as a poet of war and immigration. But he had a varied and successful career as a writer and poet before the war, and we are hoping to broaden the understanding, appreciation and audience of Simic with this new book.
Speaking of those three, we'll be doing a new book by all of them in the next year or so: Patricia Youngs' first poetry collection in nearly a decade, a brilliant and very moving memoir on art, memory and madness called The Lily Pond by Mike Barnes, and David Hickey's wonderful first children's book.
Last year, both of our titles by Goran Simic made the Relit longlist, and his From Sarajevo, With Sorrow made the shortlist for poetry (losing out to Leon Rooke's first poetry collection, Hot Poppies.) For those of you who have not read From Sarajevo, With Sorrow, you should order yourself a copy. It's powerful stuff.
And while I'm speaking of '08 (& beyond), we have another Simic collection in the works, a selection of his best pre-war poems, which will be made available (with a few exceptions) for the first time in english. In Canada (& elsewhere in the english speaking world), Goran is known solely as a poet of war and immigration. But he had a varied and successful career as a writer and poet before the war, and we are hoping to broaden the understanding, appreciation and audience of Simic with this new book.
Labels:
awards,
David Helwig,
David Hickey,
Goran Simic,
Leon Rooke,
Mike Barnes,
Patricia Young
Wednesday, April 04, 2007
On Deep Wells
We are having trouble sorting out the system for making comments. (Whether we already have an old gooogle account.) However. I think Zach's Canzone is terrific. I don't think I want to compete with it.
(The last stanza does have a tiny hint of 'Thank God I'm at the end.')
David
(The last stanza does have a tiny hint of 'Thank God I'm at the end.')
David
Labels:
David Helwig
Response to Daniel
One Pantoum (current version)
The season will inevitably come.
Close in the air the scent of salt and musk.
Time slips downstream, twilight fading to dusk.
Distant, unceasing, thrums a secret drum.
Close in the air the scent of salt and musk.
Soft lashes quiver, bees in the treeflowers hum.
Distant, unceasing, thrums a secret drum.
Each seed secretes gold oil within its husk.
Soft lashes quiver, bees in the treeflowers hum.
Blood-starved mosquitoes raven to their task.
Each seed secretes gold oil within the husk.
Fruit ripens, the mossed peach, the purple plum.
Blood-starved mosquitoes raven to their task.
A throat will nicker softly, then grow dumb.
Fruit ripens, the mossed peach, the purple plum.
Lips whisper as they ask what they must ask.
A throat will nicker softly then grow dumb.
Time slips downstream, twilight fading to dusk.
Lips whisper as they ask what they must ask.
The season will inevitably come.
DH
The season will inevitably come.
Close in the air the scent of salt and musk.
Time slips downstream, twilight fading to dusk.
Distant, unceasing, thrums a secret drum.
Close in the air the scent of salt and musk.
Soft lashes quiver, bees in the treeflowers hum.
Distant, unceasing, thrums a secret drum.
Each seed secretes gold oil within its husk.
Soft lashes quiver, bees in the treeflowers hum.
Blood-starved mosquitoes raven to their task.
Each seed secretes gold oil within the husk.
Fruit ripens, the mossed peach, the purple plum.
Blood-starved mosquitoes raven to their task.
A throat will nicker softly, then grow dumb.
Fruit ripens, the mossed peach, the purple plum.
Lips whisper as they ask what they must ask.
A throat will nicker softly then grow dumb.
Time slips downstream, twilight fading to dusk.
Lips whisper as they ask what they must ask.
The season will inevitably come.
DH
Labels:
David Helwig
You Just Never Know/Notes on Poetic Form
In a letter a few months ago my friend the concert pianist and poet, William Aide, mentioned a poetic form called the pantoum. I had perhaps heard the name as that of some exotic form, but never paid much attention, didn't again this time, my mind on other things. Then recently I came on the name once more and googled it to see just what one was like. To my astonishment I found I'd written one fifty years ago. Yes, really, fifty years, long before the rest of you were born. As an undergraduate I came on a Baudelaire poem called 'Harmonie du Soir', in a complcated form with repeats and rhymes. Couldn't resist making a translation. Now I discover that it is the very thing. A pantoum.
I got the message from the universe and sat down wrote four of them over the next few days, of which, so far, I've kept three. Bill Aide has also challenged me to write a Canzone, (see Auden) a sort of double sestina, but I'm not taking the challenge. Too many repeats even for a compulsive rhymer.
I got the message from the universe and sat down wrote four of them over the next few days, of which, so far, I've kept three. Bill Aide has also challenged me to write a Canzone, (see Auden) a sort of double sestina, but I'm not taking the challenge. Too many repeats even for a compulsive rhymer.
Labels:
David Helwig
Monday, April 02, 2007

A review that appeared in the Globe & Mail of David Helwig's Saltsea, for those of you who missed it.
If you're fond of sand dunes and Saltsea air
DAVE WILLIAMSON
Saltsea
By David Helwig
Biblioasis, 214 pages, $28.95
DAVE WILLIAMSON
Saltsea
By David Helwig
Biblioasis, 214 pages, $28.95
What better setting for a novel than a hotel? What better place to find a wide range of characters who have been arbitrarily thrown together? One thinks of such absorbing and entertaining past novels as The Hotel New Hampshire, by John Irving, or Hotel Honolulu, by Paul Theroux (to say nothing of the old Arthur Hailey bestseller, Hotel).
David Helwig's Saltsea takes place in a summer vacation spot called the Saltsea Inn, on the coast of Prince Edward Island (which former Ontarian Helwig now calls home). Having only last year published The Names of Things, a lively memoir of his life in CanLit, Helwig comes right back with a novel that may be his finest.
The inn was once the summer residence of New York millionaire Arthur Melcot. It ceased to be a family retreat after Arthur's granddaughter Barbara used it for a time as a hippy commune. Saltsea sat empty for years, but has since been bought by retired civil servant Lawrence (Log) Gardiner and his wife Janet. They have turned it into a pleasant inn that boasts good food and a relaxing beach.
The novel spans a few summer days as people come and go, people such as:
Monica, who brings her two little boys and worries about what her husband is up to back in Toronto.
Meta, an earnest lesbian archeologist from Montreal, who sets up a dig on the Saltsea beach, hoping to find proof of visits by ancient Norsemen. She's accompanied by her provocative young friend Adrienne, who plays on both sides of the street, as they say.
America and James Onley, attractive young New York newlyweds on their honeymoon. The wealthy would-be actress America happens to be the great-granddaughter of the former owner and the daughter of one-time hippy Barbara.
Lizzie McKellan, recently widowed; she's come here before with her husband and she's longing for companionship: "Desire came on her as a powerful, strange half-nauseous ache. She was afraid that one of these days she would discover herself making overtures to a plumber or telephone repairman."
An elderly man known simply as The Professor, who is scouting the area for a summer house; he's haunted by strange dreams and by his wife, who controls his actions even though she stayed in Toronto.
Overweight widows Marg and Doris, happily trying to videotape everybody.
Then there is America's mother, Barbara, who's become a drunk; she arrives to try to reclaim some of the good memories of her hippy youth. Also onto the scene comes Lucas, handsome piano-playing son of the current owners. You know it won't be long before he makes a move on lovely America.
Besides these and other guests, there is Palmer McVeigh, who's been doing odd jobs around the inn since it was a private residence. He spends much of his spare time playing poker with his imaginary friend Adolfo. When he picks up the Onleys at the airport, America thinks he looks like George Burns.
There's the local minister, Father Bob Watkins, who may not be as innocent as he looks. And there's the hotel staff, headed by Peeters, the live-in cook who's raising pheasants in cages out back for future special dinners; with his brooding sous-chef Darren, and three waitresses: lazy Kayleen, crazy Jasmyn and the perky and hard-working Robin, who has aspirations of being a filmmaker.
Helwig does a remarkable job of developing every one of these characters, and you hate to see any of them leave. As they meet and observe one another, the encounters are conveyed through crisp dialogue and just enough description.
Helwig is equally effective when he brings everybody together -- for dinner in the Saltsea dining room, or at a concert, where America and Lucas perform and The Professor recites poetry. And he builds suspense around Meta's excavation: exactly what has she dug up, both literally and figuratively?
Even Palmer McVeigh's dog has personality: "The dog gave him a look as if he'd heard enough stupid human remarks and would appreciate it if Palmer would just be quiet."
As a reader, you feel as if you've gone to this quaint place for a vacation and met all these intriguing people, and you have the privilege of knowing what they think about themselves and each other. Helwig's considerable accomplishment is that he makes you care about all of them. Since he gives you lots to laugh about, as well as some insight into the past and some mystery, you come away from Saltsea feeling that it was the best damned vacation you've had in a long while.
Dave Williamson is a Winnipeg novelist who has been following Helwig's work since reviewing two of the four books called The Kingston Novels in the early 1980s.
Labels:
David Helwig,
reviews,
Saltsea
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