Showing posts with label Shelagh Rogers. Show all posts
Showing posts with label Shelagh Rogers. Show all posts

Friday, March 13, 2015

K.D Miller Next Chapter Interview Online

For those of you who didn't get a chance to tune in, K.D. Miller was on The Next Chapter earlier this week talking to Shelagh Rogers about All Saints. Good news is the episode is now online for you to stream at your convenience. And for those of you who prefer the warm analog buzz of the radio, it was also be aired this Saturday, March 14th, at 4PM.


Wednesday, June 04, 2014

Ray Robertson on The Next Chapter

When I read the book over I was pleased because ... it is sort of a dark book thematically, but I thought it was a funny book and that was a relief to me ... You can't really explore the real serious dark stuff in life unless you admit the comedic into it, because I know in my own life, and people that I know, one of the ways you eventually confront things and cope with them and ultimately hopefully transcend them is through humour. - Ray Robertson


This week's episode of The Next Chapter with Shelagh Rogers features Lynn Cody, Guy Vanderhaeghe, Lynn Thomson, and our very own Ray Robertson! Ray speaks about his new novel I Was There The Night He Died, highlighting the importance of humour, the complexities of small town social ethics, finding meaning through the twin poles of intoxication and work, and whether you can really go home again. To listen to Shelagh and Ray's extended conversation click here. And for all you radio fanatics who prefer to dial in the old-fashioned way, the episode re-airs on the CBC this Saturday, @ 4PM!


Wednesday, March 12, 2014

Antanas Sileika reviews This Great Escape on The Next Chapter

About 27 minutes in to Monday's episode of The Next Chapter, Shelagh Rogers and Antanas Sileika talk about Andrew Steinmetz's Weston Prize-shortlisted This Great Escape. It was an honest take, with Antanas discussing some of the frustrations he experienced as a reader attempting to navigate the fragmented facts of Michael Paryla's life, but the ultimate conclusion was positive: he called it a worthwhile, interesting, complex, existential book. He even threw in the names of a few high modernists as comp titles. And who doesn't want to be compared to Beckett? No, really. Who?