Showing posts with label Troy. Show all posts
Showing posts with label Troy. Show all posts

Tuesday, February 14, 2012

The Prayer of Paris to Aphrodite


Because this love business can be more than what I saw at Sobey's last night. This installment of Thirsty brought to you from Norm Sibum's Smoke and Lilacs (Carcanet, 2009). More throughout the day.

The Prayer of Paris to Aphrodite

Come, you with left knee bent, spare me this action.
Outraged husband - a Greek - charges at me:
Menelaus' spear is held high and ready.
And I'm chilled with fright
And have none of my wits.
Come you who come out of the sea,
Your smile burned on my breast, your savage smile is constant
In the roughed up places where love knows no quiet.
- What bliss by the hearths? What wisdom in affairs?
So much for every goddess but you.

Yes, come. I have my reasons, wild, irrepressible intent my excuse.
It's as clear to me as the cold light of stars on the coldest nights.
This shield is useless for my shame, my courage the courage of tender parts.

Hide me. Wrap me in a delivering cloud. In a wind of blinding dust,
Remove Paris from the field. Let men howl, lunge, eviscerate,
Leave one another for carrion. Just as we are in love, so we are in hate's arena:
Lost, quarrelsome, passionate, dead. Come, loveliest illusion, come you with left knee bent
Even as Hector heaps blame on the children of my children
And despises me for the woman you helped me to steal,

Commend your faithful to you, raise me with a squall,
Set me on Helen's bed. Watch over us. So that, from start o star, she and I
May step and leave no trace of our tortured passing,
For love combusts brighter than this Troy about to burn.


The Attic red figure vase, shown above, is thought to be by the Painter of Louvre (410-400 B.C.E.), and depicts the presentation of Aeneas to Paris by Aphrodite. Aeneas was to act as Paris's squire in the pinching of a certain you-know-who.

Monday, October 20, 2008

Starred Q&Q review of Grant Buday's Dragonflies


In the November issue of Quill & Quire, Grant Buday's Dragonflies, a novel about the last days of the Trojan War as told from Odysseus's perspective, received a starred review. This is the second starred review from Q&Q for Biblioasis in as many months. The key things to get from this review: very funny, superbly imagined, beautifully told. Also: a damn good yarn. Fab cover. Need we say more?


The review:

Re-imagining history is popular with novelists at the moment, as evidenced by Fred Stenson’s recent book The Great Karoo, among others. But few make the past come alive as vividly as Vancouver author Grant Buday does in Dragonflies, a very funny book, superbly imagined and beautifully told.

In the sad, desperate last days of the Trojan War, Troy is no closer to falling than it was 10 years before, and the Greeks, reduced to eating limpets, are down to their last sacrificial bulls. Agamemnon gives the clever Odysseus, the “battered old tomcat” who narrates the tale, has a servant to pluck the hairs from his nose, remembers the past, and doubts the present, the task of coming up with one last gambit to win the war.

Dragonflies features many of the Trojan War’s major figures, including Menelaus, Palamedes, and Ajax, but they are not the mythic heroes we have become accustomed to. They are flawed humans lured into fighting by desire, fear, or old oaths. Agamemnon is a clod, thick-necked and hairy, and Calchas the soothsayer, whom Odysseus nicknames “Couch Ass,” is a fraudulent, “ugly old man whose face looks like it’s been carved from an onion.”

Odysseus is a very likeable narrator, but his skill with words can be hurtful and his skepticism gets him into trouble. His suggestion that all of Helen’s suitors swear allegiance to whomever eventually wins her hand avoids conflict in the short term, but only augments the size of Menelaus’s army later on.

A detailed knowledge of Greek myth is not essential to appreciate Buday’s novel, although spotting the occasional Homeric turn of phrase is fun. And the wonderful, tragic irony of Odysseus’s glee at the prospect of being home in a month depends on knowing that his journey is really just beginning. – John Wilson, whose latest book is Germania (Key Porter Books).