Over at Alex Boyd's blog, he has conducted a one question interview with Biblioasis poet Salvatore Ala:
While your poems in Lost Luggage certainly have intellectual ideas in them, they’re grounded in some very organic imagery: fish, dragonflies, almonds, rain barrels, pine, fog and snow, crabapple wine. Considering your title, is it fair to say your book is at least partly about how we’ve left something important behind in modern, everyday life?
When I look back at poems I didn’t include in the final manuscript, this sense of having “left something important behind in modern, everyday life” is even more apparent. I was trying to strike a metaphorical balance, but as you know these ruminations are subtle. The past is very much part of the present in this collection, though I would add that some poems which do not appear on the surface to be part of the motif of having "left something important behind…” are in fact also about lost origins. Working from the etymology of words is for me a way of seeing what’s not there, and is very often the source of the imagery in a poem. “Ala,” “Church Demolition,” and “Roman Coins” are very much poems about lost or uncertain origins. I was also able to question value and judge hypocrisy with the strongest evidence being in the roots of the words themselves.
For the rest of Ala's response, please go here.
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