Rebecca Rosenblum is the author of the 2008 collection Once. That book, published by the small Ontario-based press Biblioasis, won the Metcalf-Rooke Award and received almost universally positive reviews. In the wake of her success with her debut, Rosenblum was in a perfect position to jump ship to a larger house. But, for her second book, the upcoming collection The Big Dream, the author decided to stay with Biblioasis. In its ongoing series inquiring into the gulf between large and small presses, TSR asked Rosenblum about her decision to remain with her originating publisher, and her feelings about how her association with Biblioasis has benefited her as an author.
Why did you choose to stay with Biblioasis for your second book?
1) Because I had a really good editorial relationship with John Metcalf – he pushed me, but only in the directions I wanted to go, and it was exciting to be challenged like that. I think the book is better than it would have been – much better – without that relationship.
2) Because I liked the “book-creation process,” for lack of a better term. I got to lay down a piece of art on a table with Dan (Wells, publisher) and John and say, can this be my cover? And the answer was yes. A lot of work was done to make sure I didn’t have to cut the book’s length at all. The copy edit was solid. I like the title page design. These things matter.
3) Because the promotion of Once exceeded my expectations. I was really thrilled with the review coverage Once got – more like shocked, really. I got to go to a few festivals, I got to be on the radio, do readings, do interviews. I am very much aware that not every unknown author of short stories gets to do this stuff. Some of it was luck, sure, but some of it was because Biblioasis worked really hard for me.
Did you ever consider the bigger payday you might have received from a larger house?
No. I mean, I should make it clear that I think I was paid decently for Once and will be for The Big Dream. My agent, Samantha Haywood, negotiated the latter deal and was very positive about it – she would never have let me sign anything inappropriate. Beyond that, no, money was not a factor.
For the rest of the interview please go here.